we want to be saved. Saved from language that confines us. Saved from the hierarchies that annoy us. Saved from categories. We want to be more like water or weather. Without clear boundaries and definitions. We want our work to be ambiguous and free...
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Tuesday, 15 May 12 - 08:37 AM (GMT -06:00) By ro / lu in design |
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settee x threee after burton photo (private, public, secret) - rolu prototype pictured
settee x threee after burton photo (private, public, secret) by rolu
opens saturday may 19th at sit and read 236 grand street brooklyn, NY
co-presented bt sit and read and mondo cane
download guide to work and text here.
in an attempt to divide meaning equally between all aspects of the work...
1. rolu will offer a solid walnut version of this piece for private sale in an edition of 5.
2. rolu will perform the making of a public version of this piece 5/19 at sit and read
3. rolu will install this piece in nature (secret location) to become something unknown.
if you attend the opening saturday, please bring a small non-art object to deposit into the public version of this work. while this piece lives on the street in front of sit and read for the summer, evidence of the people who saw it performed will be present.
hope to see you there!
thanks for making the flyer Genevieve!
please enjoy the time while it is passing.
posted by matt olson
No Frontier brings together designers investigating contemporary methodologies and philosophies all defined within their own practices. The works from these experimental studios presented in intimate context causes one to consider the pluralism of contemp
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Tuesday, 15 May 12 - 08:33 AM (GMT -06:00) By ro / lu in design |
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nature/nurture (shapes) - rolu
"no frontier" curated by volume gallery (claire warner and sam vinz)
presented at mondo cane 174 duane street tribeca nyc 5/14 thru 5/31
featuring two new works from rolu
nature / nurture (shapes) & nature / nurture (after otto herbert hajek)
No Frontier brings together designers investigating contemporary methodologies and philosophies all defined within their own practices. The works from these experimental studios presented in intimate context causes one to consider the pluralism of contemporary design.
The designers represented (Cmmnwlth, Jonathan Muecke, Jonathan Nesci, ROLU) in No Frontier are each employing different aspects, to varying degrees, of contemporary technology and thought. From very literal and referential, to more obscure, these works presented show no boundaries, and thus "No Frontier".
honored to be showing with some of our favorite designers!
hope to see you there!
posted by matt olson
boffo show house @ 371 madison st nyc - featuring three new works by rolu! "a set for making love (after guy de cointet)", "seven stacked benches", & "everything is always changing all the time (after john cage for arp)" - 2 openings fri 5/18 & sat 5/19
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Tuesday, 15 May 12 - 08:15 AM (GMT -06:00) By ro / lu in design |
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a set for making love (after guy de cointet) - rolu
boffo show house may 15 — june 4
opening receptions fri may 18 & sat may 19
featuring three new works by rolu
a set for making love (after guy de cointet) (video rendering here)
seven stacked benches &
everything is always changing all the time (after john cage for arp)
tickets here.
stacked benches (after shelves) - rolu
everything is always changing all the time (after john cage for arp) - rolu
we're so psyched about the three exhibits we are in this weekend in nyc!
we're also in the group exhibit no frontier curated by volume at mondo cane and have a solo project starting / opening at sit and read on saturday.
more details tomorrow and the next day!
please enjoy the time while it is passing.
posted by matt olson
Before the invention of the clock time was determined by one’s exact physical location and the exact position of the sun in the sky. Time was a relationship with both one’s location and with the grand field of the celestial. In ‘Hong Kong’ Horvitz attempt
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Monday, 14 May 12 - 10:27 AM (GMT -06:00) By ro / lu in art |
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david horvitz - galerie west in hong kong
horvitz will travel to the Eastern most point of Hong Kong, Ping Chau, to view the sunrise. He will then follow the sun to the western most point, Peaked Hill, for the sunset. Like in ‘Public Access’, the photographs made at these times and locations, will be placed onto the Wikipedia pages of the two locations, and these ocean views will openly circulate through digital distribution channels. Following the sun, Horvitz pays attention to the natural cycle of the day.
oh man! totally great update to this post via david!
I'm back.
please enjoy the passing time.
posted by matt olson
wandering around with rucksacks, going to mountains to pray, making children laugh and old men glad, making young girls happy and old girls happier, all of 'em zen lunatics who go about writing poems that happen to appear in their heads for no reason and
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Friday, 11 May 12 - 09:00 AM (GMT -06:00) By ro / lu in misc |
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man carrying his own sun on a string (1973) - robert filliou
permanent playfullness (1973) - robert filliou
seven childlike uses of warlike material (1970) - robert filliou
morning brothers and sisters, it's claudette the intern.
"i see a vision of a great rucksack revolution thousands or even millions of young americans wandering around with rucksacks, going to mountains to pray, making children laugh and old men glad, making young girls happy and old girls happier, all of 'em zen lunatics who go about writing poems that happen to appear in their heads for no reason and also by being kind and also by strange unexpected acts keep giving visions of eternal freedom to everybody." - kerouac
robert filliou's interest in the "genius of the cafe" [which i talk about in this post] and the everyday gesture as a work of art, is directly informed by the beat-hippie countercultural period emerging in the late 1950s and 1960s. in his early career, filliou could be compared to the "seeker", described in jack kerouac's novel dharma bums.
i've had a hard time finding images of filliou's work until matt shared this review by jo-ey tang from 'this is tomorrow'. and there was an image of filliou's man carrying his own sun on string. i took that great line of words - man carrying his own sun on a string - into the belly of the internet and came across this essay. it's a great read about robert filliou, evidently somewhat of an obscure subject (and a sort of fixation around here at the studio.) one of fillliou's action poem goes like: not deciding/not choosing/not wanting/not owning/aware of self/wide awake/sitting quietly/doing nothing." in my opinion, that piece explains why there is little record of filliou's work. when casualness and everydayness are your preferred art materials, i suppose you don't necessarily need to record everything.
"art is what makes life more interesting than art." - robert filliou
please enjoy the poems that happen to appear in your head for no reason today.
posted by claudette gacuti
Postmasters' new exhibition Richteriana attempts to examine the current canonization of Gerhard Richter, presenting six artists whose works pre-date, update, expand, and subvert “the greatest living artist’s” own. It feels interesting, even vital, to ...
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Thursday, 10 May 12 - 10:35 AM (GMT -06:00) By ro / lu in design |
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Destroyed Richter Painting No. 04 (2012) - greg allen
richteriana at postmasters nyc - may 12 thru june 16
GREG ALLEN
DAVID DIAO
RORY DONALDSON
HASAN ELAHI
FABIAN MARCACCIO
RAFAËL ROZENDAAL
our friend greg allen is in this show.
Greg Allen's 'Destroyed Richter Paintings' channel the elder artist's own private documentary images back into the photo- based painting feedback loop he once deemed "photography by other means." They reproduce the experience of encountering Richter's lost originals, while becoming new objects themselves. By engaging the sprawling Chinese photo-painting industry that has grown up in Richter's wake, Allen forefronts the market's incredulous perception of the artist's autonomy--and his right to declare or destroy his own work.
so psyched to see this!
please enjoy the passing time.
posted by matt olson
about na kim 2009-present studio na kim 2006-2008 werkplaats typografie, graphic design 2003-2005 hong-ik univ., graphic design 2001-2002 ahn graphics, designer 1997-2001 kaist, industrial design------------------------------------------------------------
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Thursday, 10 May 12 - 08:03 AM (GMT -06:00) By ro / lu in design |
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na king - amazing.
via Carré Blanc
please enjoy.
posted by matt olson
The last step, NO GO, is linked to a number of preceding events in which, in collaboration with the villagers of Nošovice, I attempted to create a new local costume, the main motif of which consists of a hole in the middle of the landscape. The skirt,
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Tuesday, 08 May 12 - 09:28 AM (GMT -06:00) By ro / lu in art |
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no go - Katerina Šedá
arratia, beer april 27 - june 8
berlin
"The village of Nošovice is located in the Czech Republic 7 kilometres from the town of Frýdek-Místek and has a population of around 960. The village itself is not particularly picturesque: the houses line a simple road – but fields, mountains and forest spread out in the surrounding area. And in these beautiful fields an enormous Hyundai car manufacturing plant sprung up in recent years.
The indifference and inability of the locals to protest against the construction resulted in the social decline of the village after the development; many people moved away and many of those who stayed do not speak to each other to this day. The factory standing in the middle of a field definitively divided the village in two and the original connecting paths were transformed into blind alleys. A huge embankment was erected around the plant, which was intended to screen the industrial zone from view. If you want to visit a neighbour whom you could have reached a few years on foot in ten minutes, today you would have to set aside at least an hour for the trip. The locals thus found themselves in the CIRCLE – THE NEW PATTERN OF THE PLACE became their main obstacle.
I therefore decided in 2009 to try and find a way of connecting the inhabitants via the NEW PATTERN and thereby find a way out of the circle. I also wanted to react to the destructive indifference of the location in question and I therefore promised myself that I would start seeking possible solutions only after the Hyundai car factory on this site had closed its gates for good. In effect I would create a new factory of a sort, which, however, would have the task of suppressing this indifference.
The last step, NO GO, is linked to a number of preceding events in which, in collaboration with the villagers of Nošovice, I attempted to create a new local costume, the main motif of which consists of a hole in the middle of the landscape. The skirt, shawl and collar are now complemented with an illustrated and embroidered RIBBON, on which is depicted the local landscape from a new perspective. In contrast to all of the preceding steps, the locals this time had the task of depicting the entire surroundings of the car plant in frontal view."
Katerina Šedá
i absolutely love this work.
please enjoy the day.
posted by matt olson
Focusing on the gesture of construction and the physical limits of material, Bollinger's work addressed ideas of gravity, balance and material nature. According to him his interests lay not 'in the aesthetics of form but in the fact of form'. Bollinger fr
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Monday, 07 May 12 - 02:48 PM (GMT -06:00) By ro / lu in art |
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Photograph taken by bill bollinger during his crossing of the Atlantic, 1968
movie (1970) - bill billinger
bill bollinger retrospective is at the sculpture center in long island city.
so, so psyched to see this! have been obsessed with his graphite piece (1969) lately.
Untitled, (1970), Background: Screen Piece, (1968) - bill bollinger
here's the vernissagetv bit from the european opening...
definitely worth a look.
please enjoy the time you have today.
posted by matt olson
so to stay with such everyday matters as eating and drinking, i said 'butter corner' instead of 'fat corner' when i drew our tibetan guest's attention to the fat corner between the two walls opposite him, which joseph beuys had put up a few days earlier..
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Friday, 04 May 12 - 08:00 AM (GMT -06:00) By ro / lu in misc |
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the fat corner for room 3, joseph beuys - 1982
hi brothers and sisters. it's claudette the intern.
the following are excerpted paragraphs from a story i read in writing as sculpture by louwrien wijers. the beautiful story entitled fat corner was written by johannes stuttgen reflecting on a visit by lama sogyal rinpoche to the free international university, kunstakademie dusseldorf, room 3, at the invitation of joseph beuys.
[*fat corner - joseph beuys's sculpture of fat piled into the corner of a space, left to melt and turn rancid over many days.]
he spent the entire time talking about "the cup of tea" and about how drinking a cup of tea is art. an art which, when practiced, is the beginning of "kindness". … this obviously caused us considerable difficulties. there was also a question of whether the term that the lama associated with kindness (he chuckled roguishly and took a sip of tea) could even be translated into german. pleasantness? cheerfulness? serenity? and was it really possible that the basis for a solution to mankind's questions might be found in such a simple concept?
"perhaps", said eva beuys, "for people of our tradition, the idea of accomplishment is associated too deeply with the demand for supreme achievements of the most complex kind, of the kind that have been achieved time and again in science, or in the art of leonardo da vinci… so the simple things in particular, like drinking a cup of tea, are the most difficult of all.
many of us thought: that's it! people talk of supreme achievements of western culture - and where has this actually led us? to the edge of destruction, to a hopeless corner. didn't that asian man's mysterious allusion to the concentrated and devoted drinking of a cup of tea, the symbol for everything, light up the only solution for us all? the lama sogyal rinpoche nodded smiling and said very kindly that everyone had the ability to be kind.
but what if the cup of tea, apparently the embodiment of a simple thing, is really not nearly simple enough, and the westerner needs something much simpler? " but we've got this 'fat corner' up there!", i said, "isn't that the common point?" it was at least as simple as a cup of tea, perhaps even a thousand times simpler - the careful filling of the solid angle of two adjacent white walls with good butter - but in contrast to the cup of tea, it was a logical step down our own line, intimately bound up with the development of the west, ultimately the holder of that substance prepared little by little by the great people of the west, which had to be brought to the utmost degree of compaction so that it could then be expanded for everyone!
please enjoy a cup of tea today.
posted by claudette gacuti
Beloufa’s tangible artworks exploit a desire for an authority who knows and cares what’s going on and has organized everything in a way that explains it. But Beloufa, of course, withholds such comfort. Asked if the architectural forms that serve as the...
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Thursday, 03 May 12 - 01:24 PM (GMT -06:00) By ro / lu in art |
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Functions of Light - Neïl Beloufa
May 2 - June 16 AT balice, hertling & lewis
excited to see this!
please enjoy the time as it passes.
posted by matt olson
Mockup is a storage room, a stage set, a mausoleum, a trade show, a diagram, a game board, a studio, a retail store, a pictograph, a classroom, a museum display, an architectural model, and a sign-maker's workshop. Like composite wood—the material from wh
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Wednesday, 02 May 12 - 08:23 AM (GMT -06:00) By ro / lu in art |
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"Mockup" - Daniel Lefcourt
exhibition pamphlet here.
at white flag projects - april 19 june 23
please enjoy.
posted by matt olson
Where does the meaning go? What value does my labor produce? When will my four-pack abs turn into a six-pack? The subject's workout with a pearlescent exercise ball reaffirms the squishiness of tangible experience...
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Tuesday, 01 May 12 - 10:00 AM (GMT -06:00) By ro / lu in misc |
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pie the dachsund and bailey with model by sydney shen
really love these images by sydney shen for jf & son!
asked her to tell me the story behind them and she said...
We had a hyperactive miniature dachschund named Pie on set because I was planning on shooting him wearing jewelry. He had a lot of fun chasing all of the balls we had.
I was interested in expressing the anxiety of abstraction, through what else, but a workout themed shoot. The model's body is abstracted by a head-to-toe checkered zentai suit. The suit both obscures the wearer's features to a viewer, and limits the wearer's own sensory capabilities. But the subject resists total abstraction from the body, mind, and desire by participation in sport -- from push-ups to ping pong.
These elements express my anxiety about abstraction as a zeitgeist in this era of global techno-capitalism, a form (or lack thereof) which is reinforced by digitization, cognitive labor, and data supplanting physical archives and even narrative.
Where does the meaning go? What value does my labor produce? When will my four-pack abs turn into a six-pack? The subject's workout with a pearlescent exercise ball reaffirms the squishiness of tangible experience.
amazing.
originally via bailey salisbury on the facebooks.
posted by matt olson
autre means other or else. i suppose that "autrisme" could be translated by "otherism" or "elsism", such horrible words. i prefer to leave it in french. autrisme is an action-poem. it illustrates the possibility of making a performance out of one's ideas.
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Friday, 27 April 12 - 11:00 AM (GMT -06:00) By ro / lu in misc |
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compositions 1960, le monte young - george maciunas foundation.
hello there, brothers and sisters. it's claudette the intern.
the granddaddy of minimalist music la monte young gave an instruction - draw a straight line and follow it - as a guide to making a piece of music. it was in 1960. he was working in the fluxus milieu. i really like that line - draw a straight line and follow it - . for several weeks now i have followed a line that i have drawn. a thread, if you will. yes, i am talking about art meets science symposium. i'd like to think i am seeing something through. there's so damn much to see. last week, i briefly mentioned my interest in fluxus artist robert filliou in relation to the symposium, and this week i want to touch on his ideas of permanent creation and teaching and learning as performing arts, as i gathered from passages in felt, a book by chris thompson.
compositions 1960, le monte young - george maciunas foundation.
in filliou's own words, "a permanent creation is a collective achievement. it cannot be perfect in any one of its components, but only as a whole, as more and more persons come to practice it." i don't know what exactly makes that creation "permanent" but the collectiveness of it all is pretty stressed. what is also stressed is the creation itself. a permanent creation is not just an idea or philosophy, it's a performance.
" 'autre' means 'other' or 'else'. i suppose that 'autrisme' could be translated by 'otherism' or 'elsism' - such horrible words. i prefer to leave it in french. autrisme is an action-poem. it illustrates the possibility of making a performance out of one's ideas, instead of turning them, through the writing of manifestoes, into theories. thus, as in any performance, possibilities of spontaneous improvisations, even contradictions remain. clearly it is teaching and learning as performance arts."
compositions 1960, le monte young - george maciunas foundation.
that word that filliou cannot find in english is perhaps alterity, or a philosophical otherness. filliou believed we could (and should) find new ways of determining value within this indeterminate dimension, in order to achieve what he called poetical economy. he came up with 3 guiding principles for this new economy, which one gets to by way of teaching and learning as performing arts. in this pedagogy of alterity or autrisme, the teaching and learning process is quite literally "performed".
cafe-genius
homage to failures
spirit of the staircase
the first principle entails "rehabilitating" what filliou calls cafe-genius: wisdom of informality. recognizing casual conversations as classrooms. filliou's cafe-genius was an attempt to encourage social, nonchalant ways of exchanging knowledge. as thompson calls it, laughter and caffeine-enhanced brainstorming, the anarchic autrisme of permanent creation.
compositions 1960, le monte young - george maciunas foundation.
the second principle of the poetical economy is the homage to failures. the failure is filliou's nonhero, the person who influences no one and thereby achieves the greatest success: helping to dismantle "the idea of admiration" and "the deadweight of leadership." filliou stressed the interdependent, nourishing relation between teaching and learning, one in which failure would be celebrated in advance for the fruit it could not help but bear one day.
filliou's third and final principle of the poetical economy and the key to permanent creation, is what he calls the celebration of the spirit of the staircase. thompson explains that the spirit of the staircase is that feeling you sometimes experience leaving a party when, halfway down the staircase, you are struck full force by what we should have said but did not. rather than than kick yourself for not resolving all contradictions, or not bringing all things to a nice closure, filliou believed you should enjoy the anticipation of the revelation of the spirit of the staircase, that special kind of late-blooming.
"wit should make us smile, or laugh. feeling too strongly that what we should have said is more important than what we actually did say, can only lead to guilt, or impotence. or both."
please enjoy failure today. robert filliou would want you to.
posted by claudette gacuti
Sometimes it takes more than one translator to get some idea of the possible meanings that might be usable. I present a list of words that I think might be appropriate and then what I get back are either statements saying that a word is untranslatable or
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Thursday, 26 April 12 - 08:03 AM (GMT -06:00) By ro / lu in art |
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Somehow (1976) - robert barry - 81 slides projected at 15 second intervals in carousel projector, #0 – #80, between each word are blanks. Photo: Leo Castelli
old bomb magazine piece / interview about verbal art featuring Robert Barry, Martha Rosler, and Nancy Spero. definitely worth a read!
please enjoy the day.
posted by matt olson
Every night they get lost in psychogeographic drifts down the jpeg avenues of tumblr, scrolling down cartesian city grids of thumbnails, making their situationist derives by caressing their ipad screens. In these derives, they find everything: products to
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Monday, 23 April 12 - 11:43 AM (GMT -06:00) By ro / lu in architecture |
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No more products? no more buildings? no more images? no more real people? just a endless scroll of gaussian blurriness, a slow vertical drift into our internet suburbia.
(the house itself is a readymade, rented from an online agency of houses, picked from a list according to specifications. In this internet suburbia no more houses are designed, because enough readymades exist already)
(could this be a Villa Savoya made from transport packaging?)
domesticated mountain by andreas angelidakis
18 April - 28 May 2012 Curated by Maria Cristina Didero, gloria maria gallery milan
one of my favorite projects (and proposals) in a long, long time. amazing. a shift in my internal sense of gravity when thinking about this... both in a metaphysical sense and in a more literal sense (i.e. proprioception / exteroception / interoception.)
i love work that reminds me how much my ideas about the world are really just habits.
(i can't help but think of the discussions about "groundlessness" that claudette and i have been enjoying (here and here and... ) our upcoming project at the walker art center which, in part, explores the concept of "attention as place." more on this soon. andreas will be contributing something to part of our project!)
domus interview vid here and lots of great further reading stuff at the end of this post.
please enjoy the time while it is passing.
posted by matt olson
a.p.g’s roots lie in fluxus. steveni herself was active in fluxus circles. one night, when she was out scouring london factories for some materials, it occurred to her that instead of picking up industrial residue, artists ought to be inside the factories
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Friday, 20 April 12 - 09:00 AM (GMT -06:00) By ro / lu in misc |
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john latham and a detail of shale deposit from his work 'five sisters'. it was produced during his scottish office placement in 1975 - tate archive
hi brothers and sisters, it's claudette the intern.
so...i stumbled on a frieze magazine article by peter eleey (one of matt's art world faves!) on the subject of the artist placement group as i was digging the internet for information on robert filliou, the french fluxus artist who suggested to louwrien wijers to "exhibit" artists' ideas on society as works of art. that suggestion eventually led wijers to the making of the 1990's art meets science and spirituality in a changing economy, a proper symposium by all accounts but to wijers, it was actual sculpture. a sculpture of minds. filliou is mentioned only passingly in eleey's article, context is half the work, still it stopped me in my tracks because the idea of the artist placement group felt really related to art meets science, like an ideological precursor or a more audacious cousin or something.
joseph beuys invites john latham to discuss artist-with-goverment placement at the kunsteverin in bonn, germany 1977 - tate archive
described as one of the most radical social experiments of the 1960's, artist placement group (apg) founded by barbara steveni and john latham in london, actively sought to reposition the role of the artist within a wider social context, including government and commerce, while at the same time playing an important part in the history of conceptual art during the 1960s and 1970s.(1) the idea was for place artists within a given company to work as independent thinkers and participate in the decision-making process of the company by drawing on their own art practice. ideally, the aim was to allow new kinds of collaborative relationships between art and industry.(2)
film still from 'the journey', made by ian breakwell on an apg placement with british rail - tate archive.
in a sense, wijers did the same thing, a lot subtly, with art meets science symposium. where the symposium facilitated a staged dialogue between figures from the worlds of art and industry, the artist placement group went further and created a professional relationship between the two worlds in the form of artist-in-residency. for various reasons, as eleey recounts, the apg artists' contributions - mostly theoretical, hardly ever physical - haven't lasted, at least not in their purest form or intention, partially because they got lost in bureaucratic messiness of commerce.
it's a shame. had this genuine art-meets-commerce model really taken root, i imagine that the exchange between the two cultures would have eventually created a strong creative "morphic field" - to use rupert sheldrake's scientific theory - , a collective memory or repository of knowledge for future companies to tap into for a different type of creativity. we live in a society that regards corporations to be persons, could corporations ever be considered artists? woah, what.
a girl can venture. please enjoy your day today.
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Wednesday, 18 April 12 - 12:21 PM (GMT -06:00) By ro / lu in misc |
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we toured a plywood factory!
i wear gold shoes sometimes!
hi ben heywood and david hamlow!
books!
mojo!
light!
tauba!
cubes!
jochen lempert!
claudette the intern!
João Doria visited us from oslo by way of brazil!
helio oiticica documentary by João Doria!
carol and keegan visited!
i agree with rodrigo, there's magic in the world. bumped in to abraham cruzvillegas!
judy dayton is here to drop off a gift!
rosemary!
scenario - cunningham / kawakubo!
i think it was merce's birthday monday... happy birthday!
brush your teeth!
new projects!
ralph rapson architect ... more soon!
john gavin dwyer architect ... more soon!
more books!
please enjoy the time while it is passing.
posted by matt olson
June14 searches for an understanding of different ways of living and working in the contemporary world. The work stems from a belief that architecture can make things happen and that things can happen to architecture. The office is an exchange with its us
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Tuesday, 17 April 12 - 08:48 AM (GMT -06:00) By ro / lu in design |
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bridge for thomas demand - june 14 Meyer-Grohbrügge&Chermayeff
more here. more soon.
please enjoy the day.
posted by matt olson
A collection of writings - ideas & emotions - about Art & Design, from international contemporary periodicals, selected by artists, curators, art historians, graphic designers and publishers. Proposed by Charlotte Cheetham. A periodical publication (magaz
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Monday, 16 April 12 - 11:59 AM (GMT -06:00) By ro / lu in misc |
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text library - a proposal by charlotte cheetham (many stuff)
psyched! (me? i picked an essay by matt keegan. i read it out loud to the studio : - )
...critical texts extracted from contemporary art, design and graphic design independent magazines selected by Charlotte Cheetham and guests - artists, graphic designers, curators, publishers...
People who selected texts:
An endless supply - François Aubart - Véronique Bacchetta - Alex Balgiu - Marco Ballesteros - David Bennewith - Yannick Bouillis - Charlotte Cheetham - Binna Choi - Mafalda Damaso - Alexandre Dimos - Jérôme Dupeyrat - Régine Ehleiter - Xavier Erni - Experimental Jetset - Samuel François - James Goggin - Rikard Heberling - Vincent de Hoÿm - Na Kim - Karl Nawrot - Harsh Patel - Daniel Pianetti - Projects Projects - ROLU - Yann Sérandour - Slavs and Tatars - St. Pierre & Miquelon - STUDIO SM - Studio Temp - Ziga Testen…
more info here
20 / 21/ 22 april 2012 at facing pages
Trans 6
6811 HR Arnhem
The Netherlands
please enjoy the time while it is passing by.
posted by matt olson
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